• Basalt No. 2 - Image 1
  • Basalt No. 2 - Image 2
  • Basalt No. 2 - Image 3
  • Basalt No. 2 - Image 4
  • Basalt No. 2 - Image 5
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J. Kent Martin

Basalt No. 2

Basalt No. 2

€779,64 EUR
€779,64 EUR
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Edition
This original mixed-media abstract painting by J. Kent Martin is inspired by aerial views of farmland and the ordered patterns of roads and city streets. Built through layers of paint that are scraped, eroded, and stained, the surface reveals intersecting forms and textures that evoke the geometry of cultivated landscapes. The piece is framed as shown and ready to hang.

Artwork Details

Artist:
J. Kent Martin
Artist Gallery:
View all works by J. Kent Martin
Year Created:
2024
Dimensions:
12.3 × 15.3 × 1.8in
Edition:
Original 1/1
Style:
Martin builds the surface as a weathered field of gray, taupe, and mineral white, set off by a deep black void that anchors the composition near the center. The eye meets a dense skin of small circular marks, scraped passages, and cracked strata that read as sediment, asphalt, and erosion at once. Horizontal seams and block-like divisions organize the painting into a maplike grid, while ruptures and stains interrupt that order with raw physical force. The work stands in direct conversation with material abstraction, Postwar process painting, and the tactile urban geology of artists such as Antoni Tàpies and Anselm Kiefer.
Tags:
abstract,mixed media,material abstraction,textured surface,earth tones,maplike grid,erosion,urban landscape,process painting,monochrome

About J. Kent Martin

J. Kent Martin, based in Springfield, MO, creates original artwork available to collect on Art Emerge, an AI-powered marketplace for artists and collectors.

Key Facts

  • Location: Springfield, MO

J. Kent Martin (b. 1967) is a Springfield, Missouri–based abstract painter whose work is inspired by aerial views of farmland and the structured patterns of roads and urban streets. His mixed-media paintings translate these landscapes into layered compositions of intersecting forms, textured surfaces, and weathered marks that suggest both physical terrain and human presence. Working with repurposed materials, Martin builds each piece through a process of accumulation and erosion—applying, scraping, staining, and reworking layers of material to reveal traces of earlier gestures. The resulting surfaces evoke the passage of time and the evolving relationships between land, community, and movement. Having spent his professional life in the home furnishings industry and now a home furnishings designer, Martin’s work reflects a sensitivity to architecture, materiality, and spatial design.

Artist Statement

My work explores the intersection between structure, landscape, and human experience. Inspired by aerial views of farmland and the ordered patterns of roads and city streets, my paintings translate these landscapes into layered abstract compositions. From above, fields, intersections, and neighborhoods reveal the quiet geometry that shapes how we move through the world and connect with one another. Each painting develops through a process of layering, scraping, erosion, and staining.

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