• Crossroads No. 7 - Image 1
  • Crossroads No. 7 - Image 2
  • Crossroads No. 7 - Image 3
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J. Kent Martin

Crossroads No. 7

Crossroads No. 7

$2,887.50 USD
$2,887.50 USD
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Edition
This original mixed-media abstract painting by J. Kent Martin is inspired by aerial views of farmland and the ordered patterns of roads and city streets. Built through layers of paint that are scraped, eroded, and stained, the surface reveals intersecting forms and textures that evoke the geometry of cultivated landscapes. The piece is framed as shown and ready to hang.

Artwork Details

Artist:
J. Kent Martin
Artist Gallery:
View all works by J. Kent Martin
Year Created:
2019
Dimensions:
25 × 25 × 2.5in
Edition:
Original 1/1
Style:
Crossroads No. 7 is built from a restrained palette of chalk white, bone, gray, charcoal, and umber, with the dark passages carrying the visual weight across the field. Martin organizes the square surface as a network of rectangular blocks, horizontal bands, and vertical interruptions, so the composition reads like a mapped terrain seen from above. Scraped veils, dry-brushed striations, and stained edges leave the hand visible at every turn, giving the work a weathered, worked-through surface. The painting stands in the lineage of postwar abstraction that joins geometry with material presence, in conversation with artists who treat surface as record and structure as image.
Tags:
abstract,mixed media,aerial landscape,geometric abstraction,textured surface,earth tones,charcoal,weathered,postwar abstraction

About J. Kent Martin

J. Kent Martin, based in Springfield, MO, creates original artwork available to collect on Art Emerge, an AI-powered marketplace for artists and collectors.

Key Facts

  • Location: Springfield, MO

J. Kent Martin (b. 1967) is a Springfield, Missouri–based abstract painter whose work is inspired by aerial views of farmland and the structured patterns of roads and urban streets. His mixed-media paintings translate these landscapes into layered compositions of intersecting forms, textured surfaces, and weathered marks that suggest both physical terrain and human presence. Working with repurposed materials, Martin builds each piece through a process of accumulation and erosion—applying, scraping, staining, and reworking layers of material to reveal traces of earlier gestures. The resulting surfaces evoke the passage of time and the evolving relationships between land, community, and movement. Having spent his professional life in the home furnishings industry and now a home furnishings designer, Martin’s work reflects a sensitivity to architecture, materiality, and spatial design.

Artist Statement

My work explores the intersection between structure, landscape, and human experience. Inspired by aerial views of farmland and the ordered patterns of roads and city streets, my paintings translate these landscapes into layered abstract compositions. From above, fields, intersections, and neighborhoods reveal the quiet geometry that shapes how we move through the world and connect with one another. Each painting develops through a process of layering, scraping, erosion, and staining.

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