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J. Kent Martin

Captive

Captive

Regular price ¥427,489 JPY
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Edition
This original mixed-media abstract painting by J. Kent Martin is inspired by aerial views of farmland and the ordered patterns of roads and city streets. Built through layers of paint that are scraped, eroded, and stained, the surface reveals intersecting forms and textures that evoke the geometry of cultivated landscapes. The piece is framed as shown and ready to hang.

Artwork Details

Artist:
J. Kent Martin
Year Created:
2026
Dimensions:
25 × 25 × 2.5in
Edition:
Original 1/1
Style:
J. Kent Martin builds this surface from a restrained field of gray, ivory, charcoal, and umber, then interrupts it with dense vertical and horizontal passages that read like a mapped landscape from above. The eye meets the large central block of black ribbed texture first, then moves outward across scraped, eroded, and stained bands that preserve the pressure of the hand and the drag of tools. The composition is architectonic and disciplined, with rectangular zones that recall a grid, yet the layered abrasions keep it tactile and weathered rather than strictly geometric. Martin’s work sits in conversation with postwar material abstraction and the hard-edged order of modernist structure, while its aerial logic links it to the visual grammar of farmland and city planning.
Tags:
abstract landscape,material abstraction,mixed media,grid,aerial view,black and gray,textured surface,scraped paint,postwar abstraction

About J. Kent Martin

J. Kent Martin, based in Springfield, MO, creates original artwork available to collect on Art Emerge, an AI-powered marketplace for artists and collectors.

Key Facts

  • Location: Springfield, MO

J. Kent Martin (b. 1967) is a Springfield, Missouri–based abstract painter whose work is inspired by aerial views of farmland and the structured patterns of roads and urban streets. His mixed-media paintings translate these landscapes into layered compositions of intersecting forms, textured surfaces, and weathered marks that suggest both physical terrain and human presence. Working with repurposed materials, Martin builds each piece through a process of accumulation and erosion—applying, scraping, staining, and reworking layers of material to reveal traces of earlier gestures. The resulting surfaces evoke the passage of time and the evolving relationships between land, community, and movement. Having spent his professional life in the home furnishings industry and now a home furnishings designer, Martin’s work reflects a sensitivity to architecture, materiality, and spatial design.

Artist Statement

My work explores the intersection between structure, landscape, and human experience. Inspired by aerial views of farmland and the ordered patterns of roads and city streets, my paintings translate these landscapes into layered abstract compositions. From above, fields, intersections, and neighborhoods reveal the quiet geometry that shapes how we move through the world and connect with one another. Each painting develops through a process of layering, scraping, erosion, and staining.

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